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TBILISI BIENNALE

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Olena Polishchuk

  • by TBILISI BIENNALE
    • Ukraine National
  • October 4, 2022

Curator: Bohdan Polishchuk Olena Polishchuk Art book artist. Active participant and organizer of art exhibitions, scenography and art book exhibitions.Education: 1995–2003 – State Art Secondary School named after Taras Shevchenko;   2003–2009 – National Academy of Fine Arts and Architecture of Ukraine. Department of Scenography and Screen Arts, specialization – set designer of theater, film

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Bohdan Polishchuk

  • by TBILISI BIENNALE
    • Ukraine National
  • October 4, 2022

Curator: Bohdan Polishchuk Bohdan Polishchuk   Graduate of The National Academy of Visual Arts and Architecture (Kyiv). Co-founder of the Scenography Gallery and the international festival Lviv Quadriennale of Scenography. Curator and participant of the Ukrainian pavilion at the Tbilisi Biennial of Scenography 2020. For more than ten years he has been working with different

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Liudmyla Nagorna

  • by TBILISI BIENNALE
    • Ukraine National
  • October 4, 2022

Curator: Bohdan Polishchuk Liudmyla NagornaStage designer, Honored Artist of UkraineWas born in Lviv. Graduated from T.G. Shevchenko State Art High School and Kyiv Art Institute (now the National Academy of Fine Arts and Architecture). Professional teachers: People’s Artist of Ukraine D. Lider, Honored Artist of Ukraine I. Bychenkova. Since 1985, she has been participating in

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Olga Novikova

  • by TBILISI BIENNALE
    • Ukraine National
  • October 4, 2022

Curator: Bohdan Polishchuk Olga Novikova Scenographer, painter, graphic artist. Member of the National Union of Artists of Ukraine (1995) and the National Union of the Theatre Atrists of Ukraine (2007). Graduated from the National Academy of Fine Arts and Architecture (Kyiv, 1995; D. Lider’s workshop). She works as a production designer in The Les` Kurbas

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Tan Zeen

  • by TBILISI BIENNALE
    • China National
    • China Students
  • October 3, 2022

Curator: Tan Zeen Curatorial Concept “Meet Every Era as It Seeks Us“ “Let’s withdraw and meet the time as it seeks us” comes from a line in Cymbeline by Shakespeare, it was then quoted in the preface of The World of Yesterday an autobiography by Stefan Zweig. The theme of the national exhibition of China ——“Meet

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collective creation – The Visit

  • by TBILISI BIENNALE
    • China Students
  • October 3, 2022

Curator: Tan Zeen Introduction to the “The Visit” The Return of the Old Lady reveals the hypocritical nature behind the “humanitarianism” claimed by capitalist society through the story of a noblewoman returning to her hometown to avenge her old lover. The author uses comic plots and tragic characters to create a humorous effect, reflecting the moral

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collective creation – Phèdre

  • by TBILISI BIENNALE
    • China Students
  • October 3, 2022

Curator: Tan Zeen Stage Design: Yang Yefan-Shanghai Theatre Academy 2018 Stage Design Yang Xuyao-Shanghai Theatre Academy 2018 Stage Design Yu Feiyang-Shanghai Theatre Academy 2018 Stage Design Wu Zidi-Shanghai Theatre Academy 2018 Stage Design Zhou Chenyi-Shanghai Theatre Academy 2018 Stage Design Ye Fan-Shanghai Theatre Academy 2018 Stage Design Mo YiHan-Shanghai Theatre Academy 2018 Stage Design Cao Yaqi-Shanghai

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Yin Siya, Hu Tingting

  • by TBILISI BIENNALE
    • China Students
  • October 3, 2022

Curator: Tan Zeen Works: YEAR AFTER YEAR producer :Beijing Film Academy Director: Di Ni Scriptwriter: Li Xiaoming Stage Design: Yin Siya&Hu Tingting Lighting Design: Fei Dahao Time:2021/12/26-2021/12/31 18:30 Venue:Studio 1, Studio Complex building,Beijing Film Academy Yin Siya EDUCATION Communication University Of China   Drama and film art design   09/2016-06/2020 Communication University Of China   Fine arts                  Sep 2020 to present

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Ye Xiao

  • by TBILISI BIENNALE
    • China Students
  • October 3, 2022

Curator: Tan Zeen Stage and Light Design of Kun Opera Praying the Moon: Xiao Ye Listed as one of the four great South Dramas, Praying the Moon is set in the late Jin dynasty when Mongolia marched to the south, and tells a story of misplaced accompany between a lost sibling and a lost mother and

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Xu Wang

  • by TBILISI BIENNALE
    • China Students
  • October 3, 2022

Curator: Tan Zeen Introduction: The drama “Camel Xiangzi” is based on the city life of the bottom group in Beiping in the late 1920s, and takes the ups and downs of the rickshaw driver Xiangzi as the main plot.  It deeply exposed the darkness of old China and showed the living conditions of the poor people

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Tbilisi Biennale of Stage Design is the first international festival of stage design in Caucasus region
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