{"id":3736,"date":"2022-10-09T12:21:01","date_gmt":"2022-10-09T08:21:01","guid":{"rendered":"http:\/\/www.tbilisibiennale.com\/2022\/?page_id=3736"},"modified":"2022-10-09T12:23:04","modified_gmt":"2022-10-09T08:23:04","slug":"symposium-agenda","status":"publish","type":"page","link":"https:\/\/www.tbilisibiennale.com\/2022\/symposium-agenda\/","title":{"rendered":"International Symposium (hybrid format) \/ 10 \u2013 12 October 2022"},"content":{"rendered":"<h2 style=\"text-align: center;\"><span style=\"color: #ff6600;\"><strong>Temporality &#8211; Pandemic, War, Theater<\/strong><\/span><\/h2>\n<h2 style=\"text-align: center;\"><span style=\"color: #ff6600;\"><strong>International Symposium<\/strong><strong> (hybrid format) <\/strong><\/span><\/h2>\n<h2 style=\"text-align: center;\"><span style=\"color: #ff6600;\"><strong>10 \u2013 12 October 2022<\/strong><\/span><\/h2>\n<p><span style=\"color: #ff6600;\"><strong>Supported by OISTAT<\/strong><\/span><\/p>\n<h3><strong><span style=\"color: #ff6600;\">Ukrainian Session<\/span><\/strong><\/h3>\n<h4><span style=\"color: #ff6600;\"><strong>October, 10<\/strong><\/span><\/h4>\n<p>Session 1.\u00a0 Presentations of curators<\/p>\n<p>Moderator Marianne Oakley (Georgia)- in person<\/p>\n<p><strong>11.00 &#8211; 11.20<\/strong> &#8211; Yulia Hlushko, manager and co-founder of Gallery of Scenography \u201e Scenography gallery in Ukraine. Short story about art preserving journey \u201c\u00a0&#8211; online<\/p>\n<p><strong>11.20 \u2013 12.40<\/strong> &#8211; Lilia Voloshina, PhD, Curator, theatrical critic \u201eHow theaters and higher education establishments exist during wartime in Ukraine\u201c- online<\/p>\n<p><strong>12.40 \u2013 13.00<\/strong> &#8211; Bogdan Polishchuk, Co-founder of the Scenography Gallery and the international festival Lviv Quadriennale of Scenography. \u201eAn artist under the pressure of war. The female face of Ukrainian scenography\u201c- online<\/p>\n<p><strong>13.00 \u2013 13.20<\/strong>. &#8211; Lyudmila Nagorna- in person<\/p>\n<p><strong>13.20 \u2013 13.50<\/strong> &#8211; Coffee break<\/p>\n<p>Session 2. Self &#8211; presentations of the Artists<\/p>\n<p>Moderator Marianne Oakley (Georgia)<\/p>\n<p><strong>13.50 \u2013 14.10<\/strong> &#8211; Tatyana Chukhrii -in person<\/p>\n<p><strong>14.10 \u2013 14.30<\/strong> &#8211; Maria Pohrebnyak &#8211; in person<\/p>\n<p><strong>14.30 \u2013 14.50<\/strong> -Julia Zaulichnaya &#8211; in person<\/p>\n<p><strong>14.50 \u2013 15.10<\/strong> &#8211; Lyubov Dushina &#8211; in person<\/p>\n<p><strong>15.30 \u2013 15.50<\/strong> &#8211; Olga Novikova &#8211; in person<\/p>\n<p><strong>15.50 \u2013 16.10<\/strong> \u2013 Katarzyna Podgorska-Glonti &amp; Marta Wyszy\u0144ska; artists, scenographers (Poland) &#8220;Fluid Boundaries of\u00a0\u00a0 Stage Design&#8220; &#8211;\u00a0 in person<\/p>\n<p>&nbsp;<\/p>\n<h3><span style=\"color: #ff6600;\">Temporality &#8211; Pandemic, War, Theater<\/span><\/h3>\n<h4><span style=\"color: #ff6600;\"><strong>11 October<\/strong><\/span><\/h4>\n<p>Session 1.\u00a0 Presentations<\/p>\n<p>Moderator Tamara Janashia (Georgia) &#8211; in person<\/p>\n<p><strong>11.00 &#8211; 11.30<\/strong> -Tinatin Gurgenidze, Founder of Tbilisi Architecture Biennale (Georgia)- in person<\/p>\n<p><strong>11.30 \u2013 12.00<\/strong> &#8211; Romana Bo\u0161kovi\u0107 \u017divanovi\u0107, PhD in Arts, Scene Design, Associate professor at the Scen, Chair of Undergraduate Academic Studies Scene Architecture, Technique and Design, Faculty od Technical Sciences, University of Novi Sad, (Serbia) &#8220;Scene Architecture, Technology and Ideology: The two Homes of Culture nowadays&#8220;- online<\/p>\n<p><strong>12.00 \u2013 12.30<\/strong> \u2013 Levan Kharatishvili, CEO &amp; Founder, Creative Strategies Lab; Executive Director, Creative Spark (Georgia) \u201e SHOW MUST GO ON: THEATRE AS AN EXAMPLE OF RETHINKING THE ROLE OF CULTURE AND CREATIVITY\u201c<\/p>\n<p><strong>12.30 \u2013 13.00<\/strong> &#8211; Coffee break<\/p>\n<p>Session 2.\u00a0 Presentations<\/p>\n<p>Moderator Tamara Janashia (Georgia) in person<\/p>\n<p><strong>13.00 \u2013 13.30<\/strong> &#8211; Pavlo Bosyy, Prof, Co-Director, Production Program, School of Performance, Toronto Metropolitan University, Ontario, (Canada) \u201eMAY YOU LIVE IN EXCITING TIMES: THEATRE SPACE, PANDEMIC, AND FUSION OF PERFORMANCE ARTFORMS\u201c- in person<\/p>\n<p><strong>13.30 \u2013 14.00<\/strong> \u2013 Manana Tevzadze PhD, theatrical critic (Georgia) &#8220;FOR THE HISTORY OF RUSTAVELI THEATRE BUILDING &#8220;- in person<\/p>\n<p><strong>14.00 \u2013 15.00<\/strong> &#8211; Films by Les Kurbas Center &#8211; in person<\/p>\n<p>Location: National Parliamentary Library of Georgia<\/p>\n<p>Address: 7 Lado Gudiashvili St, Tbilisi<\/p>\n<p>&nbsp;<\/p>\n<h3><span style=\"color: #ff6600;\">Temporality &#8211; Pandemic, War, Theater<\/span><\/h3>\n<h4><span style=\"color: #ff6600;\"><strong>12 October<\/strong><\/span><\/h4>\n<p>Session1.\u00a0 Presentations<\/p>\n<p>Moderator Khatuna Kikvadze (Georgia) offline<\/p>\n<p><strong>11.00 \u2013 11.30<\/strong> &#8211; Marianne Oakley, PhD, Chairman of the Scientific Council of G. Chubinashvili National Research Centre for Georgian Art, History and Heritage Preservation (Georgia)&#8220;Soliko Virsaladze&#8220; in person<\/p>\n<p><strong>11.30 \u2013 12.00<\/strong> &#8211; Katarina Daj\u010d &amp; Miljena Vu\u010dkovi\u0107 Udru\u017eenje Scenatoria &#8211; Scenatoria Association (Serbia) Gunpowder depot &#8211; space of inspiration &#8220; &#8211; online<\/p>\n<p><strong>12.00 \u2013 12.30<\/strong> &#8211;\u00a0 Junliang Shi,\u00a0 artists, scnographer (China)&#8220;Theater during the pandemic &#8211; the audience behind the theater architecture &#8211; what have we learned?&#8220; \u00a0&#8211; in person<\/p>\n<p><strong>12.30 \u2013 13.00<\/strong> &#8211; Coffee break<\/p>\n<p>Session 2.\u00a0 Presentations<\/p>\n<p>Moderator Tamuna Gurchiani (Georgia) in person<\/p>\n<p><strong>13.00 \u2013 13.30<\/strong> \u00a0-Umberto Di Nino, <em>Scenographer, Professor of Scenic Design and Light Design,<\/em> Scuola di Scenografia Accademia Belle Arti Frosinone (Italy) &#8220;CANON project&#8220; \u00a0&#8211; online<\/p>\n<p><strong>13.30 \u2013 14.00<\/strong> &#8211; Dr. Scott Palmer, Associate Professor in Performance Design; University of Leeds (UK) &#8220;Emerging from the darkness: light, temporality and audience experience&#8220;- online<\/p>\n<p><strong>14.00 \u2013 14.30<\/strong> &#8211; Miljena Vu\u010dkovi\u0107, Scenatoria Association (Serbia) &#8220;White box and other architectural elements as tools of atmosphere creation&#8221;\u2013 online<\/p>\n<p><strong>14.30 \u2013 15.00<\/strong> &#8211; Andrea Heilman, Designer (Scenic and Lighting) , educator, Head of Design and Production at California Lutheran University , &#8220;<strong>STUDENT COVID-RELATED TRAUMA&#8220;<\/strong> (USA)- online<\/p>\n<p><strong>15.00 \u2013 15.30<\/strong> &#8211; Khatuna Kikvadze, PhD, art critic, Tbilisi State Academy of Arts (Georgia) &#8211; in person Location: National Parliamentary Library of Georgia<\/p>\n<p>Address: 7 Lado Gudiashvili St, Tbilisi<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Temporality &#8211; Pandemic, War, Theater International Symposium (hybrid format) 10 \u2013 12 October 2022 Supported by OISTAT Ukrainian Session October, 10 Session 1.\u00a0 Presentations of curators Moderator Marianne Oakley (Georgia)- in person 11.00 &#8211; 11.20 &#8211; Yulia Hlushko, manager and co-founder of Gallery of Scenography \u201e Scenography gallery in Ukraine. Short story about art preserving<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.tbilisibiennale.com\/2022\/wp-json\/wp\/v2\/pages\/3736"}],"collection":[{"href":"https:\/\/www.tbilisibiennale.com\/2022\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.tbilisibiennale.com\/2022\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2022\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2022\/wp-json\/wp\/v2\/comments?post=3736"}],"version-history":[{"count":2,"href":"https:\/\/www.tbilisibiennale.com\/2022\/wp-json\/wp\/v2\/pages\/3736\/revisions"}],"predecessor-version":[{"id":3739,"href":"https:\/\/www.tbilisibiennale.com\/2022\/wp-json\/wp\/v2\/pages\/3736\/revisions\/3739"}],"wp:attachment":[{"href":"https:\/\/www.tbilisibiennale.com\/2022\/wp-json\/wp\/v2\/media?parent=3736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}