{"id":6111,"date":"2024-10-14T12:32:48","date_gmt":"2024-10-14T08:32:48","guid":{"rendered":"http:\/\/www.tbilisibiennale.com\/2024\/?page_id=6111"},"modified":"2024-10-14T12:57:42","modified_gmt":"2024-10-14T08:57:42","slug":"poland-students-exhibition","status":"publish","type":"page","link":"https:\/\/www.tbilisibiennale.com\/2024\/poland-students-exhibition\/","title":{"rendered":"Poland Students Exhibition"},"content":{"rendered":"<h3 style=\"text-align: center;\">Poland Students Exhibition<\/h3>\n<p class=\"s3\"><span class=\"s5\">The presentation of student work involves the display of four diplomas:\u00a0The film Elements by Grzegorz Labuda was created in partial fulfillment of the requirements for the<\/span> <span class=\"s5\">Degree of Master of Fine Arts in Costume Design, School of Drama \u2013 Carnegie Mellon University, and is inspired by the author\u2019s dreams and childhood memories.<\/span> <span class=\"s5\">Artistic herstory \u2013 a portrait of an ancestor as an element necessary to build identity. Set design based on Virginia Woolf\u2019s drama Fact, Fiction and Photography or What Happened in Freshwater by Anna Krajewska<\/span><span class=\"s5\">. <\/span><span class=\"s5\">Ksenia Dubiashchuk presents Passivity is flammable. Scenographic realization based on Ray Bradbury\u2019s novel Fahrenheit 451,<\/span> <span class=\"s5\">Lidia Gomez Herrera Performance inspired by Planets by Holst by Lidia Gomez Herrera. The last three were created under the direction of Professor Katarzyna Podg\u00f3rsk<\/span><span class=\"s5\">a-Glonti and Dr Marta Wyszy\u0144ska. <\/span><span class=\"s5\">Each diploma is an individual story: about coming of age, the search for identity, the phenomena of current conflicts or universal values. Each of these voices of the younger generation of set designers is different, but equally important. Different attitudes using different media in narratives are part of the search for a redefinition of scenography today.<\/span> <span class=\"s5\">The exhibition has been expanded to include <\/span><span class=\"s5\">p<\/span><span class=\"s5\">resentation of projects by students of Magdalena Abakanowicz University of the Arts Poznan Stage Design Department completed during classes and outside the university.<\/span> <span class=\"s5\">The projects and realisations present a new perspective on the addressed scenographic issues.\u00a0<\/span><\/p>\n<p class=\"s8\"><strong><span class=\"s6\">Curators of Polish Exhibition: <\/span><span class=\"s7\">prof. <\/span><span class=\"s7\">dr<\/span><span class=\"s7\"> hab. Katarzyna <\/span><span class=\"s7\">Podg\u00f3rska-Glonti<\/span><span class=\"s7\"> \/ <\/span><span class=\"s7\">dr<\/span><span class=\"s7\"> Marta <\/span><span class=\"s7\">Wyszy\u0144ska<\/span><\/strong><\/p>\n<p><strong>PROJECT PARTICIPANT STUDENTS:<\/strong><\/p>\n<ul>\n<li>MAJA SAWICKA<\/li>\n<li>MARTYNA FORMELA<\/li>\n<li>LIDIA G\u00d3MEZ HERRERA<\/li>\n<li>JULIA BARTKOWIAK<\/li>\n<li>JULIA GRUCZA<\/li>\n<li>MARIA PR\u00d3CHNICKA<\/li>\n<li>JULIA BARTKOWIAK<\/li>\n<li>FAUSTYNA STARK<\/li>\n<li>PATRYCJA DRAMINSKA<\/li>\n<li>POLA GAWORSKA<\/li>\n<li>ALEKSANDRA SORNEK<\/li>\n<li>CHENGSHAN JING<\/li>\n<li>ALEKSANDRA WAWRZYNIAK<\/li>\n<li>MERVE SANDIKCI<\/li>\n<li>POLA GAWORSKA<\/li>\n<li>MARTYNA FORMELA<\/li>\n<li>GREGORZ LABUDA<\/li>\n<li>ANNA KRAJEWSKA<\/li>\n<li>KSENIYA DUBIASHCHUK<\/li>\n<\/ul>\n<div id=\"6adbe8fc40dac\" class=\"gg_gallery_wrap gg_true_gallery gg_columnized_gallery gid_6111 gg_hidden_ol gg_ol_bottom_mode gg_main_ol_show_on_h \" data-gg_ol=\"\" 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partial fulfillment of the requirements for the Degree of Master of Fine Arts in Costume Design, School of Drama \u2013 Carnegie Mellon University, and is inspired by the author\u2019s dreams and childhood memories.<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/pages\/6111"}],"collection":[{"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/comments?post=6111"}],"version-history":[{"count":3,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/pages\/6111\/revisions"}],"predecessor-version":[{"id":6151,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/pages\/6111\/revisions\/6151"}],"wp:attachment":[{"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/media?parent=6111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}