{"id":3570,"date":"2024-10-09T14:56:10","date_gmt":"2024-10-09T10:56:10","guid":{"rendered":"http:\/\/www.tbilisibiennale.com\/2022\/?p=3570"},"modified":"2024-10-09T15:13:50","modified_gmt":"2024-10-09T11:13:50","slug":"lubov-sidelnikova","status":"publish","type":"post","link":"https:\/\/www.tbilisibiennale.com\/2024\/3570\/lubov-sidelnikova\/","title":{"rendered":"LUBOV SIDELNIKOVA"},"content":{"rendered":"

Curator:\u00a0Lidia Malashenko<\/strong><\/p>\n

LUBOV SIDELNIKOVA<\/strong><\/p>\n

Set and Costume Designer<\/strong><\/p>\n

\u2022\u200b1987 – Art School named after E. Glebov (teacher of drawing and drawing);
\n\u2022\u200b1994 – Belarusian Academy of Arts (theatrical and decorative painting).
\n\u2022\u200bLyubov Sidelnikova – author of scenography and costume designer for performances:
\n\u2022\u200bSince 1994 author of set design and costume designer for more than fifty performances at the Theater. Yanka Kupala, the Belarusian State Academic Musical Theatre, the Bolshoi Theater of Belarus, as well as theaters of Kazakhstan and Serbia
\n\u2022\u200bSince 2019 production designer at the Bolshoi Theater of Belarus
\nSince 2023 – the chief artist of the Bolshoi Theatre of Belarus.
\nCreative achievements:
\n– Laureate of the 12th Republican Competition of Theatre Artists named after the Honored Figure of Arts of the Republic of Belarus I. Ushakov (2012) for the design of the play “The Bell, or The Apothecary’s Wedding Night” by G. Donizetti;
\n– Honorary Certificate from the Administration of the Moskovsky District of Minsk for long-term fruitful work, high professionalism, and significant contribution to the preservation and development of Belarusian theatrical arts (2017);
\nLaureate of the 17th Republican Competition of Theatre Artists named after the Honored Figure of Arts of the Republic of Belarus I.M. Ushakov (2017) for the best artistic design of the play (“The Snow Queen” by G. Shaidulova);
\n– Acknowledgment from the Minsk City Council of Deputies for high professional skill, personal contribution to the aesthetic education of the population, and popularization of classical choreographic art (2019).<\/p>\n