{"id":5079,"date":"2024-09-11T13:54:09","date_gmt":"2024-09-11T09:54:09","guid":{"rendered":"http:\/\/www.tbilisibiennale.com\/2024\/?p=5079"},"modified":"2024-09-11T13:54:09","modified_gmt":"2024-09-11T09:54:09","slug":"shaiful-islam","status":"publish","type":"post","link":"https:\/\/www.tbilisibiennale.com\/2024\/5079\/shaiful-islam\/","title":{"rendered":"Shaiful Islam"},"content":{"rendered":"<section class=\"kc-elm kc-css-216471 kc_row\"><div class=\"kc-row-container  kc-container\"><div class=\"kc-wrap-columns\"><div class=\"kc-elm kc-css-771146 kc_col-sm-12 kc_column kc_col-sm-12\"><div class=\"kc-col-container\"><div class=\"kc-elm kc-css-347959 kc_row kc_row_inner\"><div class=\"kc-elm kc-css-299003 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"kc_wrapper kc-col-inner-container\"><div class=\"kc-elm kc-css-507565 kc_text_block\"><\/p>\n<p style=\"font-weight: 400;\"><strong>Shaiful Islam (b. 1965): Conceptual and Visual Narratives<\/strong><\/p>\n<p style=\"font-weight: 400;\">As a key member of theater group <strong>Prachyanat<\/strong>, Shaiful Islam is renowned for his conceptual approach to stage design. His work seamlessly integrates symbolism, minimalism, and bold use of space, creating environments that enhance the narrative and deepen the emotional impact of performances. Islam\u2019s designs frequently emphasize the interaction between actors and their surroundings, transforming static stage elements into active participants in the drama. This synergy between design and performance reflects Prachyanat\u2019s experimental ethos.<\/p>\n<p style=\"font-weight: 400;\">In productions such as <em>Koinna<\/em> (2001), a play exploring themes of identity and displacement, and <em>Raja Ebong Onnanno<\/em> (2008), which delves into socio-political issues\u2014Islam blends modernist and traditional elements, often utilizing indigenous materials and forms. His recent works, <em>Agunjatra<\/em> (2022) and <em>Achalayatan<\/em> (2023), further showcase his ability to merge modernist concepts with traditional aesthetics, creating immersive environments that resonate with Bangladesh audiences, who have rich cultural experience. Islam\u2019s aesthetic merges the intellectual with the visceral, offering a multi-layered experience that enriches the storytelling.<\/p>\n<p>\n<\/div><div class=\"kc-elm kc-css-92588\" style=\"height: 40px; clear: both; width:100%;\"><\/div><div class=\"kc-elm kc-css-184009 kc_shortcode kc_single_image\">\n\n        <img src=\"https:\/\/www.tbilisibiennale.com\/2024\/wp-content\/uploads\/2024\/09\/1-Circus-Circus-Large-600x400xc.jpeg\" class=\"\" alt=\"\" \/>    <\/div>\n<div class=\"kc-elm kc-css-652539 kc_text_block\"><\/p>\n<p style=\"font-weight: 400;\">Play: <strong>Circus Circus<\/strong><\/p>\n<p style=\"font-weight: 400;\">Playwright: Azad Abul Kalam<\/p>\n<p style=\"font-weight: 400;\">Direction: Azad Abul Kalam<\/p>\n<p style=\"font-weight: 400;\">Set &amp; Light Design:<\/p>\n<p style=\"font-weight: 400;\">Production: Prachyanat<\/p>\n<p style=\"font-weight: 400;\">Year: 1998<\/p>\n<p style=\"font-weight: 400;\">Photo Credit: Mumit M.<\/p>\n<p>\n<\/div><div class=\"kc-elm kc-css-674336\" style=\"height: 20px; clear: both; width:100%;\"><\/div><\/div><\/div><\/div><div class=\"kc-elm kc-css-690324 kc_row kc_row_inner\"><div class=\"kc-elm kc-css-132502 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"kc_wrapper kc-col-inner-container\"><div class=\"kc-elm kc-css-437055 kc_shortcode kc_single_image\">\n\n        <img src=\"https:\/\/www.tbilisibiennale.com\/2024\/wp-content\/uploads\/2024\/09\/2-Koinna-Large-600x400xc.jpeg\" class=\"\" alt=\"\" \/>    <\/div>\n<div class=\"kc-elm kc-css-82989 kc_text_block\"><\/p>\n<p style=\"font-weight: 400;\">Play: <strong>Koinna<\/strong><\/p>\n<p style=\"font-weight: 400;\">Playwright: Murad Khan<\/p>\n<p style=\"font-weight: 400;\">Direction: Azad Abul Kalam<\/p>\n<p style=\"font-weight: 400;\">Set &amp; Light Design: Shaiful Islam<\/p>\n<p style=\"font-weight: 400;\">Production: Prachyanat<\/p>\n<p style=\"font-weight: 400;\">Year: 2001<\/p>\n<p style=\"font-weight: 400;\">Photo Credit: Afzol Tuhel<\/p>\n<p>\n<\/div><div class=\"kc-elm kc-css-760629\" style=\"height: 20px; clear: both; width:100%;\"><\/div><\/div><\/div><\/div><div class=\"kc-elm kc-css-153540 kc_row kc_row_inner\"><div class=\"kc-elm kc-css-827023 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"kc_wrapper kc-col-inner-container\"><div class=\"kc-elm kc-css-765229 kc_shortcode kc_single_image\">\n\n        <img src=\"https:\/\/www.tbilisibiennale.com\/2024\/wp-content\/uploads\/2024\/09\/3-Gondar-Large-600x400xc.jpeg\" class=\"\" alt=\"\" \/>    <\/div>\n<div class=\"kc-elm kc-css-889637 kc_text_block\"><\/p>\n<p style=\"font-weight: 400;\">Play: <strong>Gondar (Rhinoceros)<\/strong><\/p>\n<p style=\"font-weight: 400;\">Playwright: Eugene Ionesco<\/p>\n<p style=\"font-weight: 400;\">Direction: Kazi Toufikul Islam<\/p>\n<p style=\"font-weight: 400;\">Set &amp; Light Design: Shaiful Islam<\/p>\n<p style=\"font-weight: 400;\">Production: Prachyanat<\/p>\n<p style=\"font-weight: 400;\">Year: 2003<\/p>\n<p style=\"font-weight: 400;\">Photo Credit: Mumit M.<\/p>\n<p>\n<\/div><div class=\"kc-elm kc-css-608997\" style=\"height: 20px; clear: both; width:100%;\"><\/div><\/div><\/div><\/div><div class=\"kc-elm kc-css-571893 kc_row kc_row_inner\"><div class=\"kc-elm kc-css-668598 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"kc_wrapper kc-col-inner-container\"><div class=\"kc-elm kc-css-604318 kc_shortcode kc_single_image\">\n\n        <img src=\"https:\/\/www.tbilisibiennale.com\/2024\/wp-content\/uploads\/2024\/09\/4-Agunjatra-Large-600x400xc.jpeg\" class=\"\" alt=\"\" \/>    <\/div>\n<div class=\"kc-elm kc-css-733253 kc_text_block\"><\/p>\n<p style=\"font-weight: 400;\">Play: <strong>Agunjatra<\/strong><\/p>\n<p style=\"font-weight: 400;\">Playwright: Mahesh Dattani<\/p>\n<p style=\"font-weight: 400;\">Direction: Azad Abul Kalam<\/p>\n<p style=\"font-weight: 400;\">Set &amp; Light Design: Shaiful Islam<\/p>\n<p style=\"font-weight: 400;\">Production: Prachyanat<\/p>\n<p style=\"font-weight: 400;\">Year: 2022<\/p>\n<p style=\"font-weight: 400;\">Photo Credit: Prachyanat<\/p>\n<p>\n<\/div><div class=\"kc-elm kc-css-368677\" style=\"height: 20px; clear: both; width:100%;\"><\/div><\/div><\/div><\/div><div class=\"kc-elm kc-css-465862 kc_row kc_row_inner\"><div class=\"kc-elm kc-css-258631 kc_col-sm-12 kc_column_inner kc_col-sm-12\"><div class=\"kc_wrapper kc-col-inner-container\"><div class=\"kc-elm kc-css-247782 kc_shortcode kc_single_image\">\n\n        <img src=\"https:\/\/www.tbilisibiennale.com\/2024\/wp-content\/uploads\/2024\/09\/5-Achalayatan-Large-600x400xc.jpeg\" class=\"\" alt=\"\" \/>    <\/div>\n<div class=\"kc-elm kc-css-422005 kc_text_block\"><\/p>\n<p style=\"font-weight: 400;\">Play: <strong>Achalayatan<\/strong><\/p>\n<p style=\"font-weight: 400;\">Playwright: Rabindranath Tagore<\/p>\n<p style=\"font-weight: 400;\">Direction: Azad Abul Kalam<\/p>\n<p style=\"font-weight: 400;\">Set &amp; Light Design: Shaiful Islam<\/p>\n<p style=\"font-weight: 400;\">Production: Prachyanat<\/p>\n<p style=\"font-weight: 400;\">Year: 2023<\/p>\n<p style=\"font-weight: 400;\">Photo Credit: Prachyanat<\/p>\n<p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":5077,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[73],"tags":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/posts\/5079"}],"collection":[{"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/comments?post=5079"}],"version-history":[{"count":2,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/posts\/5079\/revisions"}],"predecessor-version":[{"id":5103,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/posts\/5079\/revisions\/5103"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/media\/5077"}],"wp:attachment":[{"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/media?parent=5079"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/categories?post=5079"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/tags?post=5079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}