{"id":5211,"date":"2024-09-23T01:05:39","date_gmt":"2024-09-22T21:05:39","guid":{"rendered":"http:\/\/www.tbilisibiennale.com\/2024\/?p=5211"},"modified":"2024-09-23T15:51:46","modified_gmt":"2024-09-23T11:51:46","slug":"katarzyna-podgorska-glonti-2","status":"publish","type":"post","link":"https:\/\/www.tbilisibiennale.com\/2024\/5211\/katarzyna-podgorska-glonti-2\/","title":{"rendered":"Katarzyna Podg\u00f3rska-Glonti\u00a0"},"content":{"rendered":"<p>Curator: <strong>Katarzyna Podg\u00f3rska-Glonti\u00a0<\/strong><\/p>\r\n<!-- \/wp:paragraph -->\r\n\r\n<!-- wp:paragraph -->\r\n<p>Title: 63 kilograms Author: Katarzyna Podg\u00f3rska-Glonti Technique: video<\/p>\r\n<!-- \/wp:imagely\/nextgen-gallery -->\r\n\r\n<!-- wp:video {\"id\":2814} --><!-- \/wp:video -->\r\n\r\n<!-- wp:paragraph -->\r\n<p><strong>Professor Katarzyna Podg\u00f3rska-Glonti<\/strong> Born in Radom in 1969. She studied at the State Higher School of Fine Arts in Pozna\u0144 between 1991and 1996, at Vysoka SkolaVytvarnych Umeni in Bratislava, Slovakia, and in 1996 at the Photographic Atelier of Marian Szmidt in Paris. She works as professor at the University of Arts in Pozna\u0144. She runs the Stage Design Studio in the Faculty of Interior and Stage Design at the University of Arts in Pozna\u0144. Visual artist. Art and research topics of interest include: time, space, architectural space and its contexts, memory, traces of presence. Katarzyna Podg\u00f3rska \u2013 Glonti\u2019s work focuses on spatial activities, site-specific, installations, performance, photography, and art workshops. The art projects undertaken by Prof. Podg\u00f3rska-Glonti concern human and reflections resulting from experiencing reality. Author of the monograph titled &#8220;Correlations of space &#8211; Interconnections of spaces&#8221; 2016 and \u201cSpace object memory\u201d 2020. She taught at Dartington Collage of Arts, England, Universidad De Granada, Ecole Superieure Des Beaux Arts De Lyon, France, Accademia di Belle Arti, Palermo. Author of many individual exhibitions; has participated in numerous group exhibitions, art workshops and projects in Poland and abroad (Germany, Italy, U.S.A, Norway, Georgia, Lituania, Japan, Azerbajdzan). <a href=\"mailto:katarzyna.podgorska-glonti@uap.edu.pl\">katarzyna.podgorska-glonti@uap.edu.pl<\/a> \u00a0 <span style=\"color: #ff6600;\"><strong>CONCEPT<\/strong><\/span><\/p>\r\n<p class=\"s3\"><span class=\"s4\">Student <\/span><span class=\"s4\">exhibition.<\/span><\/p>\r\n<p class=\"s3\"><span class=\"s5\">The presentation of student work involves the display of four diplomas:\u00a0The film Elements by Grzegorz Labuda was created in partial fulfillment of the requirements for the<\/span> <span class=\"s5\">Degree of Master of Fine Arts in Costume Design, School of Drama &#8211; Carnegie Mellon University, and is inspired by the author\u2019s dreams and childhood memories.<\/span> <span class=\"s5\">Artistic herstory &#8211; a portrait of an ancestor as an element necessary to build identity. Set design based on Virginia Woolf&#8217;s drama Fact, Fiction and Photography or What Happened in Freshwater by Anna Krajewska<\/span><span class=\"s5\">. <\/span><span class=\"s5\">Ksenia Dubiashchuk presents Passivity is flammable. Scenographic realization based on Ray Bradbury\u2019s novel Fahrenheit 451,<\/span> <span class=\"s5\">Lidia Gomez Herrera Performance inspired by Planets by Holst by Lidia Gomez Herrera. The last three were created under the direction of Professor Katarzyna Podg\u00f3rsk<\/span><span class=\"s5\">a-Glonti and Dr Marta Wyszy\u0144ska. <\/span><span class=\"s5\">Each diploma is an individual story: about coming of age, the search for identity, the phenomena of current conflicts or universal values. Each of these voices of the younger generation of set designers is different, but equally important. Different attitudes using different media in narratives are part of the search for a redefinition of scenography today.<\/span> <span class=\"s5\">The exhibition has been expanded to include <\/span><span class=\"s5\">p<\/span><span class=\"s5\">resentation of projects by students of Magdalena Abakanowicz University of the Arts Poznan Stage Design Department completed during classes and outside the university.<\/span> <span class=\"s5\">The projects and realisations present a new perspective on the addressed scenographic issues.\u00a0<\/span><\/p>\r\n<p class=\"s8\"><span class=\"s6\">Curators of Polish Exhibition<\/span><\/p>\r\n<p class=\"s8\"><span class=\"s7\">prof. <\/span><span class=\"s7\">dr<\/span><span class=\"s7\"> hab. Katarzyna <\/span><span class=\"s7\">Podg\u00f3rska-Glonti<\/span><span class=\"s7\"> \/ <\/span><span class=\"s7\">dr<\/span><span class=\"s7\"> Marta <\/span><span class=\"s7\">Wyszy\u0144ska<\/span><\/p>\r\n<p>&nbsp;<\/p>\r\n<p><strong>PROJECT PARTICIPANT STUDENTS:<\/strong><\/p>\r\n<ul>\r\n<li>MAJA SAWICKA<\/li>\r\n<li>MARTYNA FORMELA<\/li>\r\n<li>LIDIA G\u00d3MEZ HERRERA<\/li>\r\n<li>JULIA BARTKOWIAK<\/li>\r\n<li>JULIA GRUCZA<\/li>\r\n<li>MARIA PR\u00d3CHNICKA<\/li>\r\n<li>JULIA BARTKOWIAK<\/li>\r\n<li>FAUSTYNA STARK<\/li>\r\n<li>PATRYCJA DRAMINSKA<\/li>\r\n<li>POLA GAWORSKA<\/li>\r\n<li>ALEKSANDRA SORNEK<\/li>\r\n<li>CHENGSHAN JING<\/li>\r\n<li>ALEKSANDRA WAWRZYNIAK<\/li>\r\n<li>MERVE SANDIKCI<\/li>\r\n<li>POLA GAWORSKA<\/li>\r\n<li>MARTYNA FORMELA<\/li>\r\n<li>GREGORZ LABUDA<\/li>\r\n<li>ANNA KRAJEWSKA<\/li>\r\n<li>KSENIYA DUBIASHCHUK<\/li>\r\n<\/ul>\r\n<p><iframe title=\"Poland students works\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/iYsnwjn1XSA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>","protected":false},"excerpt":{"rendered":"<p>Curator: Katarzyna Podg\u00f3rska-Glonti\u00a0 Title: 63 kilograms Author: Katarzyna Podg\u00f3rska-Glonti Technique: video Professor Katarzyna Podg\u00f3rska-Glonti Born in Radom in 1969. She studied at the State Higher School of Fine Arts in Pozna\u0144 between 1991and 1996, at Vysoka SkolaVytvarnych Umeni in Bratislava, Slovakia, and in 1996 at the Photographic Atelier of Marian Szmidt in Paris. She works<\/p>\n","protected":false},"author":3,"featured_media":5199,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[44],"tags":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/posts\/5211"}],"collection":[{"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/comments?post=5211"}],"version-history":[{"count":5,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/posts\/5211\/revisions"}],"predecessor-version":[{"id":5216,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/posts\/5211\/revisions\/5216"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/media\/5199"}],"wp:attachment":[{"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/media?parent=5211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/categories?post=5211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/tags?post=5211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}