{"id":5514,"date":"2024-09-27T14:33:18","date_gmt":"2024-09-27T10:33:18","guid":{"rendered":"http:\/\/www.tbilisibiennale.com\/2024\/?p=5514"},"modified":"2024-09-27T14:33:18","modified_gmt":"2024-09-27T10:33:18","slug":"hu-caihua","status":"publish","type":"post","link":"https:\/\/www.tbilisibiennale.com\/2024\/5514\/hu-caihua\/","title":{"rendered":"Hu CaiHua"},"content":{"rendered":"<p class=\"s3\"><strong><span class=\"s2\">Hu CaiHua<\/span><\/strong><\/p>\n<p class=\"s3\"><span class=\"s2\">Stage Designer, Fujian People&#8217;s Art Theatre<\/span><\/p>\n<p class=\"s3\"><span class=\"s4\">Hu CaiHua is a stage designer from the Central Academy of Drama, specializing in Stage Design. Dedicated to exploring dynamic and static elements within theatrical space, he aims to uncover the essence of drama by seamlessly integrating cultural heritage, creating immersive experiences that resonate with audiences.<\/span><\/p>\n<p class=\"s3\"><span class=\"s4\">CaiHua&#8217;s portfolio encompasses both traditional and contemporary productions. His notable achievements include the award-winning Min Opera &#8220;Houguan Women&#8221; in 2024, which received top honors at the 26th Fuzhou Drama Festival. Additionally, he has designed stages for operas such as &#8220;The Marriage of Figaro&#8221; (2024) and &#8220;La Traviata&#8221; (2020), as well as original dramas like &#8220;Sharing a River&#8221; (2022) and &#8220;Secretary Amei&#8221; (2021).<\/span><\/p>\n<p class=\"s3\"><span class=\"s4\">In addition to his theatrical work, CaiHua has made significant contributions to tourism culture performances, designing live-action shows such as &#8220;The Wind from Jasmine&#8221; (2023) and &#8220;The Silent Uprising&#8221; at Yantai Shan, Fuzhou (2022). These performances have garnered recognition, with &#8220;The Silent Uprising&#8221; winning the 2023 Fuzhou Cultural Tourism Boutique Performance Project award and the EGA National Best Culture and Tourism Integration Project award.<\/span><\/p>\n<div id=\"6adc021cc066d\" class=\"gg_gallery_wrap gg_true_gallery gg_columnized_gallery gid_5514 gg_hidden_ol gg_ol_bottom_mode gg_main_ol_show_on_h \" data-gg_ol=\"\" data-col-maxw=\"260\" data-ggom_fx=\"\" data-ggom_timing=\"300\" rel=\"5514\" data-nores-txt=\"No images found\">      <div class=\"gg_loader\">  <div class=\"ggl_1\"><\/div>  <div class=\"ggl_2\"><\/div>  <div class=\"ggl_3\"><\/div>  <div class=\"ggl_4\"><\/div><\/div>  <div class=\"gg_container\"><div class=\"gg_img \" data-gg-url=\"https:\/\/www.tbilisibiennale.com\/2024\/wp-content\/uploads\/2024\/09\/0\u95fd\u5267\u4faf\u5b98\u5973\u4eba\u5e8f\u5e5503\u821e\u7f8e\u8bbe\u8ba1\u80e1\u624d\u534e-Large.jpeg\" 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type=\"text\/javascript\"> jQuery(document).ready(function($) { if(typeof(gg_galleries_init) == \"function\") {gg_galleries_init(\"6adc021cc066d\"); }});<\/script>\n","protected":false},"excerpt":{"rendered":"<p>Hu CaiHua Stage Designer, Fujian People&#8217;s Art Theatre Hu CaiHua is a stage designer from the Central Academy of Drama, specializing in Stage Design. Dedicated to exploring dynamic and static elements within theatrical space, he aims to uncover the essence of drama by seamlessly integrating cultural heritage, creating immersive experiences that resonate with audiences. CaiHua&#8217;s<\/p>\n","protected":false},"author":3,"featured_media":5515,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[46],"tags":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/posts\/5514"}],"collection":[{"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/comments?post=5514"}],"version-history":[{"count":1,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/posts\/5514\/revisions"}],"predecessor-version":[{"id":5520,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/posts\/5514\/revisions\/5520"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/media\/5515"}],"wp:attachment":[{"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/media?parent=5514"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/categories?post=5514"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2024\/wp-json\/wp\/v2\/tags?post=5514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}