{"id":6182,"date":"2026-04-20T16:27:35","date_gmt":"2026-04-20T12:27:35","guid":{"rendered":"https:\/\/www.tbilisibiennale.com\/2026\/?p=6182"},"modified":"2026-04-20T16:39:33","modified_gmt":"2026-04-20T12:39:33","slug":"call-for-participation-tbilisi-international-symposium-2026","status":"publish","type":"post","link":"https:\/\/www.tbilisibiennale.com\/2026\/6182\/call-for-participation-tbilisi-international-symposium-2026\/","title":{"rendered":"Call for Participation &#8211; Tbilisi International Symposium 2026"},"content":{"rendered":"<p class=\"p1\"><strong>The Tbilisi Biennale of Stage Design 2026, in collaboration with OISTAT, invites submissions<\/strong><\/p>\n<p class=\"p1\"><strong>for presentations at the Tbilisi International Symposium 2026.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\">The Symposium will take place as part of the Tbilisi Biennale of Stage Design in Tbilisi,<\/p>\n<p class=\"p1\">Georgia, on <b>October 15\u201316, 2026<\/b>, from <b>11:00 AM to 7:00 PM (local time)<\/b>. The venue will be<\/p>\n<p class=\"p1\">announced in due course.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><strong>About the Symposium<\/strong><\/p>\n<p class=\"p1\">The Tbilisi International Symposium provides a platform for leading professionals and emerging<\/p>\n<p class=\"p1\">voices in the fields of theatre, stage design, costume, architecture, and technology, including<\/p>\n<p class=\"p1\">artists, educators, and researchers.<\/p>\n<p class=\"p1\">We invite proposals that engage with the central themes of the Symposium:<\/p>\n<p class=\"p1\"><span class=\"s1\">\u2022<\/span> <b>\u201cWar and Theatre\u201d<\/b> \u2013 reflecting urgent global and regional concerns<\/p>\n<p class=\"p1\"><span class=\"s1\">\u2022<\/span> <b>\u201cTheatre and Fashion\u201d<\/b> \u2013 the main theme of the Tbilisi Biennale of Stage Design 2026<\/p>\n<p class=\"p1\">The Symposium aims to foster a dynamic and inclusive exchange of ideas and practices across<\/p>\n<p class=\"p2\"><span class=\"s3\">disciplines.<\/span>Suggested Thematic Sections<\/p>\n<p class=\"p1\"><b>Section I: War and Theatre<\/b><\/p>\n<p class=\"p1\"><span class=\"s1\">\u2022<\/span> <i>Performing Crisis: Theatre Amid War and Acts of Resistance<\/i><\/p>\n<p class=\"p1\"><span class=\"s1\">\u2022<\/span> <i>Theatre as Witness: Staging War, Memory, and Trauma<\/i><\/p>\n<p class=\"p1\"><span class=\"s1\">\u2022<\/span> <i>War on Stage \/ Stage at War: Reimagining Conflict Through Performance<\/i><\/p>\n<p class=\"p1\"><b>Section II: Theatre and Fashion<\/b><\/p>\n<p class=\"p1\"><span class=\"s1\">\u2022<\/span> <b>Practice:<\/b> Inspiration, Transcription, Adaptation<\/p>\n<p class=\"p1\"><span class=\"s1\">\u2022<\/span> <b>Research:<\/b> Scenographic Materials and New Publications<\/p>\n<p class=\"p1\"><span class=\"s1\">\u2022<\/span> <b>Education:<\/b> Innovation and Tradition<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\">Eligibility and Applications<\/p>\n<p class=\"p1\">Researchers and practitioners at all career stages and from all relevant disciplines are encouraged<\/p>\n<p class=\"p1\">to apply. We particularly welcome submissions from current research students and early-career<\/p>\n<p class=\"p1\">researchers.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\">All proposals must align with the Symposium themes outlined above.<\/p>\n<p class=\"p1\">To apply, please complete the submission form by <b>May 31, 2026<\/b>.<\/p>\n<p class=\"p2\">Presentation Format<\/p>\n<p class=\"p1\">The Symposium will be held in a <b>hybrid format<\/b>, combining in-person and online participation.<\/p>\n<p class=\"p1\">We are committed to ensuring accessibility and encouraging diverse international perspectives. If<\/p>\n<p class=\"p1\">you are unable to attend in person, you may submit a <b>pre-recorded presentation<\/b> to be hosted<\/p>\n<p class=\"p1\">online and made available to Symposium participants.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\">For inquiries regarding pre-recorded presentations, please contact the Biennale Director, <b>Nino<\/b><\/p>\n<p class=\"p1\"><b>Gunia-Kuznetsova<\/b>, at <span class=\"s5\"><b>ninogunia@yahoo.com<\/b><\/span> prior to completing the application form.<\/p>\n<p class=\"p1\">Please note:<\/p>\n<p class=\"p1\"><span class=\"s1\">\u2022<\/span> Pre-recorded presentations will not be screened during the live Symposium sessions<\/p>\n<p class=\"p1\"><span class=\"s1\">\u2022<\/span> All submissions must meet the thematic requirements: <span class=\"s6\">Working Language<\/span><\/p>\n<p class=\"p1\">The working language of the Symposium is <b>English<\/b>.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\">Important Dates<\/p>\n<p class=\"p1\"><span class=\"s1\">\u2022<\/span> <b>Submission Form Deadline:<\/b> May 31, 2026<\/p>\n<p class=\"p1\"><span class=\"s1\">\u2022<\/span> <b>Abstract Submission Deadline:<\/b> June 30, 2026<\/p>\n<p class=\"p1\"><span class=\"s1\">\u2022<\/span> <b>Notification of Acceptance:<\/b> End of July 2026<\/p>\n<p class=\"p1\"><span class=\"s1\">\u2022<\/span> <b>Presentation Schedule Announcement:<\/b> August 31, 2026<\/p>\n<p class=\"p1\"><span class=\"s1\">\u2022<\/span> <b>Presentation Materials (PPT) Submission:<\/b> October 1, 2026<\/p>\n<p class=\"p1\"><span class=\"s1\">\u2022<\/span> <b>Symposium Dates:<\/b> October 15\u201316, 2026 (11:00 AM \u2013 5:00 PM, local time)<\/p>\n<p class=\"p1\">*Please note that deadlines are subject to change. Applicants will be notified of any updates.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff6600;\"><strong><span style=\"color: #000000;\">Registration link:<\/span> <a style=\"color: #ff6600;\" href=\"https:\/\/www.tbilisibiennale.com\/2026\/register\/\">Registration form<\/a><\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Tbilisi Biennale of Stage Design 2026, in collaboration with OISTAT, invites submissions for presentations at the Tbilisi International Symposium 2026. &nbsp; The Symposium will take place as part of the Tbilisi Biennale of Stage Design in Tbilisi, Georgia, on October 15\u201316, 2026, from 11:00 AM to 7:00 PM (local time). The venue will be<\/p>\n","protected":false},"author":3,"featured_media":6174,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-6182","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-our-blog"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/posts\/6182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/comments?post=6182"}],"version-history":[{"count":0,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/posts\/6182\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/media\/6174"}],"wp:attachment":[{"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/media?parent=6182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/categories?post=6182"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/tags?post=6182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}