{"id":6329,"date":"2026-09-10T12:52:00","date_gmt":"2026-09-10T08:52:00","guid":{"rendered":"https:\/\/www.tbilisibiennale.com\/2026\/?p=6329"},"modified":"2026-09-10T16:54:12","modified_gmt":"2026-09-10T12:54:12","slug":"zhang-qingshan-curator","status":"publish","type":"post","link":"https:\/\/www.tbilisibiennale.com\/2026\/6329\/zhang-qingshan-curator\/","title":{"rendered":"Zhang Qingshan (Curator)"},"content":{"rendered":"<p><strong>Zhang Qingshan (Curator)<\/strong><\/p>\n<p><strong>PROFILE<\/strong><\/p>\n<p>Professor, Department of Stage Design, Central Academy of Drama; Recipient of the Special Government Allowance of the State Council; President of the China Institute of Stage Design; Vice President of the International Organisation of Scenographers, Theatre Architects and Technicians (OISTAT); Honorary Chairman of the China Alliance for Stage Design Education.<\/p>\n<p>Engaged in stage art creation and teaching for a long time. He has been awarded the titles of Outstanding Undergraduate Teaching Administrator of Beijing Universities, Excellent Teacher of Beijing, Leader of Outstanding Teaching Team of Beijing Universities, Distinguished Teacher of Beijing, and Talent of Beijing \u201cFour Batches\u201d. He has received numerous honors and awards, including the first batch of National First-Class Undergraduate Courses, the Golden Lion Award for Chinese Drama, and the Outstanding Stage Design Award at the First Opera Festival hosted by the former Ministry of Culture.<\/p>\n<p><strong>STAGE DESIGN &amp; REALIZATION FOR REPERTOIRE<\/strong><\/p>\n<ul>\n<li>2002 | Beijing People\u2019s Art Theatre | Every Household Illuminated (Spoken Drama) | Scenic Realization<\/li>\n<li>2006 | Beijing People\u2019s Art Theatre | White Deer Plateau (Spoken Drama) | Scenic Realization<\/li>\n<li>2008 | Beijing Olympic Games National Stadium (Bird\u2019s Nest) | Clouds of Blessing Ground Installation | Scenic Realization<\/li>\n<li>2009 | Northern Kunqu Opera Theatre | Guan Hanqing \u2013(Kunqu Opera) | Scenic Realization<\/li>\n<li>2009 | National Centre for the Performing Arts | La Boh\u00e8me (Opera) | Stage Design<\/li>\n<li>2010 | National Centre for the Performing Arts | L\u2019elisir d\u2019Amore (Opera) | Scenic Realization<\/li>\n<li>2010 | National Centre for the Performing Arts | La Traviata (Opera) | Scenic Realization<\/li>\n<li>2010 | Beijing People\u2019s Art Theatre | The Teahouse (Spoken Drama) | Scenic Realization<\/li>\n<li>2010 | China National Opera House | The White-haired Girl (Opera) | Scenic Realization<\/li>\n<li>2011 | Fujian Song and Dance Theatre | Earthen Towers (Opera) | Stage Design<\/li>\n<li>2011 | National Centre for the Performing Arts | Tosca (Opera) | Scenic Realization<\/li>\n<li>2011 | National Centre for the Performing Arts | La Cenerentola (Opera) | Scenic Realization<\/li>\n<li>2011 | Northern Kunqu Opera Theatre | A Dream of Red Mansions (Kunqu Opera) | Scenic Realization<\/li>\n<li>2012 | China National Opera House | Dream of the Woods (Opera) | Scenic Realization<\/li>\n<li>2012 | China National Opera House | Turandot (Opera) | Scenic Realization<\/li>\n<li>2012 | National Centre for the Performing Arts | Ballad of the Grand Canal (Opera) | Scenic Realization<\/li>\n<li>2012 | National Centre for the Performing Arts | Un Ballo in Maschera (Opera) | Scenic Realization<\/li>\n<li>2012 | Legend of Tai Chi (Dance Drama) | Directed by Weiya Chen | Scenic Realization<\/li>\n<li>2013 | Beijing People\u2019s Art Theatre | The Zhao Orphan (Spoken Drama) | Scenic Realization<\/li>\n<li>2013 | National Ballet of China | Swan Lake (Ballet) | Scenic Realization<\/li>\n<li>2013 | National Ballet of China | Don Quixote (Ballet) | Scenic Realization<\/li>\n<li>2013 | National Centre for the Performing Arts | Otello (Opera) | Scenic Realization<\/li>\n<li>2014 | National Centre for the Performing Arts | Il Trovatore (Opera) | Scenic Realization<\/li>\n<li>2014 | National Centre for the Performing Arts | Visitors to the Icy Mountain (Opera) | Scenic Realization<\/li>\n<li>2014 | Northern Kunqu Opera Theatre | The Peony Pavilion (Kunqu Opera) | Scenic Realization<\/li>\n<li>2016 | Jiangsu Kunqu Theatre | Drunken Blossoms (Kunqu Opera) | Stage Design<\/li>\n<li>2016 | Northern Kunqu Opera Theatre | The Forcible Crossing of Luding Bridge (Kunqu Opera) | Stage Design<\/li>\n<li>2016 | Northern Kunqu Opera Theatre | Confucius (Kunqu Opera) | Scenic Realization<\/li>\n<li>2017 | China National Opera House | Rigoletto (Opera) | Scenic Realization<\/li>\n<li>2017 | National Centre for the Performing Arts | Millennial Bond \u2013 Belt and Road Gala | Scenery Production<\/li>\n<li>2017 | National Centre for the Performing Arts | Blue Flower (Opera) | Scenic Realization<\/li>\n<li>2017 | Nanjing Massacre Memorial Hall &amp; Yuhuatai Memorial Hall | Jiangsu, Nanjing | Scenic Realization<\/li>\n<li>2018 | Kunshan Contemporary Kunqu Theatre | Rain on the Parasol Tree (Kunqu Opera) | Stage Design<\/li>\n<li>2018 | Central Academy of Drama | Crazy for You (Musical) | Stage Design<\/li>\n<li>2019 | Shanghai Grand Theatre | Six Chapters of a Floating Life (Kunqu Opera) | Stage Design<\/li>\n<li>2019 | Beijing Children\u2019s Art Theatre | My Mother Is a Horse (Children\u2019s Theatre) | Stage Design<\/li>\n<li>2022 | Yulin Grand Theatre | Wives from Mizhi, Men from Suide (Yangge Opera) | Scenic Realization<\/li>\n<li>2023 | National Ballet of China | A Dream of Red Mansions (Dance Drama) | Scenic Realization<\/li>\n<li>2023 | Large-scale Cultural Tourism Production | The First March of the Long March | Scenic Realization<\/li>\n<li>2023 | Central Academy of Drama | The Winter\u2019s Tale (Drama) | Stage Design<\/li>\n<li>2023 | Central Academy of Drama | Children of the Storm (Drama) | Stage Design<\/li>\n<li>2023 | Yueyang Baling Opera Heritage Research Institute | Drinking from One River (Baling Opera) | Stage Design<\/li>\n<li>2023 | Jiangsu Grand Theatre | A Dream of Red Mansions (Dance Drama) | Scenic Realization<\/li>\n<li>2023 | Northern Kunqu Opera Theatre | Autumn in the Han Palace (Kunqu Opera) | Scenic Realization<\/li>\n<li>2023 | China Oriental Performing Arts Group | Poetic Ode to Su Dongpo (Dance Drama) | Scenic Realization<\/li>\n<li>2024 | Jiangsu Kunqu Theatre | Poetry Feast: Literati of the Tang Dynasty (Kunqu Opera) | Stage Design<\/li>\n<li>2024 | Northern Kunqu Opera Theatre | Li Pei (Kunqu Opera) | Stage Design<\/li>\n<li>2024 | Large-scale Cultural Tourism Production | The Magnificent Qin Dynasty | Scenic Realization<\/li>\n<li>2024 | Yang Liping Production | Impression Jingchu (Dance Drama) | Stage Design<\/li>\n<li>2025 | Yang Liping Production | Impression Pingtan (Dance Drama) | Scenic Realization<\/li>\n<li>2026 | China National Opera House | Carmen (Opera) | Stage Design<\/li>\n<\/ul>\n<p><strong>FILM &amp; TELEVISION ART PRODUCTION<\/strong><\/p>\n<ul>\n<li>2008 | Director: Kaige Chen | Forever Enthralled (Film) | Art Production<\/li>\n<li>2010 | Director: Kaige Chen | Sacrifice (Film) | Art Production<\/li>\n<li>2010 | Director: Shaohong Li | A Dream of Red Mansions (Television Series) | Art Production<\/li>\n<li>2013 | Director: Wen Jiang | Gone with the Bullets (Film) | Art Production<\/li>\n<\/ul>\n<p><strong>PUBLICATIONS, RESEARCH &amp; SCHOLARLY ACHIEVEMENTS<\/strong><\/p>\n<ul>\n<li><em>Tosca in Our Hands<\/em>, China Theatre Press, December 2012.<\/li>\n<li><em>OISTAT Collected Papers 2017\u20132018<\/em>, China Federation of Literary and Art Circles Publishing House, December 2021.<\/li>\n<li><em>World Masters of Stage Design: Pamela Howard<\/em>, China Theatre Press, October 2022.<\/li>\n<li><em>World Masters of Stage Design: Gunilla Palmstierna-Weiss<\/em>, China Theatre Press, December 2022.<\/li>\n<li><em>Three-Dimensional Form<\/em>, Higher Education Press, October 2023.<\/li>\n<\/ul>\n<p><strong>EDUCATION<\/strong><\/p>\n<ul>\n<li>1985 | B.A., Department of Stage Design, Central Academy of Drama<\/li>\n<li>1989 | Graduated from Central Academy of Drama and remained as faculty member<\/li>\n<li>1994-1996 | Advanced Studies at the Nordic Institute for Stage Design, Sweden<\/li>\n<li>1999 | M.A. in Stage Design and Scenic Painting, Central Academy of Drama<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Professor, Department of Stage Design, Central Academy of Drama; President of the China Institute of Stage Design; Vice President of OISTAT.<\/p>\n","protected":false},"author":3,"featured_media":6328,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46],"tags":[],"class_list":["post-6329","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-china-national"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/posts\/6329","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/comments?post=6329"}],"version-history":[{"count":2,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/posts\/6329\/revisions"}],"predecessor-version":[{"id":6578,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/posts\/6329\/revisions\/6578"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/media\/6328"}],"wp:attachment":[{"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/media?parent=6329"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/categories?post=6329"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/tags?post=6329"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}