{"id":6897,"date":"2026-09-29T11:36:00","date_gmt":"2026-09-29T07:36:00","guid":{"rendered":"https:\/\/www.tbilisibiennale.com\/2026\/?p=6897"},"modified":"2026-09-29T14:36:12","modified_gmt":"2026-09-29T10:36:12","slug":"alma-syrbayeva-tutor","status":"publish","type":"post","link":"https:\/\/www.tbilisibiennale.com\/2026\/6897\/alma-syrbayeva-tutor\/","title":{"rendered":"Alma Syrbayeva (Tutor)"},"content":{"rendered":"<p><strong>Alma Syrbayeva (Tutor)<\/strong><\/p>\n<p><em>Set and Costume Designer<\/em><\/p>\n<p>Honoured Art Worker of the Republic of Kazakhstan. Practising set designer, theatre and film costume designer and clothing designer. Graduate of the Kazakh National Academy of Arts named after T. Zhurgenov (theatrical and decorative art, stage design), Almaty. Member of the Republican Union of Theatre Figures and of the Eurasian Union of Designers.<\/p>\n<p><strong>Experience<\/strong><\/p>\n<ul>\n<li>1993: Set designer, Abay State Academic Opera and Ballet Theatre, Almaty<\/li>\n<li>1997\u20132003: Fashion designer, State Knitwear Company Agama, Uzbekistan<\/li>\n<li>2004\u20132010: Chief artist, S. Mukanova Kazakh Music and Drama Theatre, Petropavlovsk<\/li>\n<li>Since 2010: Lecturer, Kazakh National University of Arts, Astana<\/li>\n<\/ul>\n<p><strong>Awards<\/strong><\/p>\n<ul>\n<li>Grand Prix, The Best Fashion Designer of Uzbekistan, International Fashion Festival Beautiful Princess, Tashkent, 1998<\/li>\n<li>First place, The Best Artist of Stage Costume, Astana, 2008<\/li>\n<li>Grand Prix, II International Festival of Stage Costume Sun Men Sahna, Astana, 2008<\/li>\n<li>Laureate and prize winner of international stage costume contests and fashion festivals<\/li>\n<\/ul>\n<p>Her students are laureates of the State Youth Prize Daryn, prize winners of the international competitions Best Dress of the World (Timi\u0219oara) and Russian Silhouette, the Republican Delphic Games and national Olympiads.<\/p>\n<p><strong>Selected Productions<\/strong><\/p>\n<ul>\n<li>C. Goldoni, <em>The Servant of Two Masters<\/em>, dir. B. Preobrazhensky, 2005<\/li>\n<li>T. Williams, <em>The Glass Menagerie<\/em>, dir. B. Shambetov, 2009<\/li>\n<li>L. Tolstoy, <em>Anna Karenina<\/em>, dir. Agnius Jankevi\u010dius (Lithuania), 2017<\/li>\n<li>A. Pushkin, <em>Eugene Onegin<\/em>, dir. Yu. Kviatkovsky (Moscow), 2017<\/li>\n<li>M. Gorky, <em>Father. Last<\/em>, dir. I. Vaitkus (Lithuania), 2018<\/li>\n<li>W. Shakespeare, <em>Richard III<\/em>, dir. F. Moldagali, 2019<\/li>\n<li>W. Shakespeare, <em>King Lear<\/em>, dir. F. Moldagali, 2022<\/li>\n<li>E. Rostand, <em>Cyrano de Bergerac<\/em>, dir. S. Fedotov, 2023<\/li>\n<li>A. Chekhov, <em>Three Sisters<\/em>, dir. F. Moldagali, 2024<\/li>\n<li><em>Waltz King<\/em> by Baydilda Aidarbek, dir. Carlo Sciaccaluga (Italy), 2024<\/li>\n<\/ul>\n<p>Among many other productions in theatres of Kazakhstan and abroad, she also designed the multi-part feature film <em>Altyn Uya<\/em> (2015).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Honoured Art Worker of the Republic of Kazakhstan. Set designer, theatre and film costume designer, lecturer at the Kazakh National University of Arts since 2010.<\/p>\n","protected":false},"author":3,"featured_media":6797,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[77],"tags":[],"class_list":["post-6897","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kazakhstan-students"],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/posts\/6897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/comments?post=6897"}],"version-history":[{"count":1,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/posts\/6897\/revisions"}],"predecessor-version":[{"id":6903,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/posts\/6897\/revisions\/6903"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/media\/6797"}],"wp:attachment":[{"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/media?parent=6897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/categories?post=6897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tbilisibiennale.com\/2026\/wp-json\/wp\/v2\/tags?post=6897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}