{"id":7035,"date":"2026-09-30T10:08:00","date_gmt":"2026-09-30T06:08:00","guid":{"rendered":"https:\/\/www.tbilisibiennale.com\/2026\/7035\/alicja-siemko\/"},"modified":"2026-10-04T13:43:49","modified_gmt":"2026-10-04T09:43:49","slug":"alicja-siemko","status":"publish","type":"post","link":"https:\/\/www.tbilisibiennale.com\/2026\/7035\/alicja-siemko\/","title":{"rendered":"Alicja Siemko"},"content":{"rendered":"

Alicja Siemko<\/strong><\/p>\n

Diploma Work<\/em><\/p>\n

Diploma work (selection), Academy of Fine Arts in Warsaw, Faculty of Stage Design. Mentor: Prof. dr hab. Pawe\u0142 Dobrzycki.<\/p>\n

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Diploma Work: Le Nozze di Figaro<\/em><\/strong>
\nOpera by W. A. Mozart
\nStaging, sets and costumes, 2026<\/p>\n

The shift of the action to the film set of the opera adaptation, where violence against women continues to occur not only on stage but also behind the scenes, shows that the reality of the present day is even worse than it was in Mozart\u2019s time (see the Epstein scandal).<\/em><\/p>\n

Theoretical Master\u2019s thesis:<\/strong> Set design as a medium of memory. On the multisensory experience of theatrical space and the mechanisms of recalling memories<\/em> (PDF)<\/a>
\nWritten at the Faculty of Stage Design under the supervision of Dr Anna Wiszniewska, Warsaw 2026<\/p>\n<\/div>\n